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There are moments in life that remind us of what really matters — not likes, not views, not numbers — but connection, humanity, and the small things we can do to make someone else's day just a little bit better. Today was one of those days.

As part of an ongoing commitment to support those in need, we set out this morning with 200 freshly prepared yakisoba meals and 200 ice-cold Guaravita drinks. Our mission was simple: bring warmth, nourishment, and dignity to the streets of Rio de Janeiro — specifically to the neighborhoods of Lapa, Glória, and Centro, where many people face life’s harshest realities every day.

While a full video recap will follow soon, we’re already sharing this story to remind ourselves and our community: we are all capable of doing good. Until the new video is online, feel free to watch our previous missions — and thank you for being part of this movement. One warm meal, one act of compassion, one human at a time.

⚖️ Case Study ⚖️

In mid-2023, one of Brazil’s largest broadcast groups, the BAND Network, learned first-hand how unforgiving YouTube’s copyright enforcement system can be. The episode began after One Man Wolf Pack filed copyright takedown notices against several regional channels that were operating under the BAND branding, including Rádio Bandeirantes Goiânia and Rádio BandNews Goiânia. Both accounts were removed in June 2023 for repeated copyright violations.

YouTube’s internal policy treats related or jointly-managed accounts as part of the same network; when one violates the platform’s terms, others can automatically fall with it. The idea is simple: stopping serial infringement across an organization, not just an individual upload.

⚖️ Case Overview ⚖️

Plaintiff: Miroslaw Tadeusz Wawak (One Man Wolf Pack)
Defendant: Carolina Pintos de Britto (YouTube channel "Carolina Britto Designer de Interiores")
Court: 3ª Vara Cível de Gravataí — Tribunal de Justiça do Estado do Rio Grande do Sul | Date: Ruling published November 3, 2025

Copyright Infringement: The Court confirmed that Carolina Pintos de Britto used 3 minutes and 58 seconds of Miroslaw Wawak’s copyrighted drone footage — without authorization, license, or credit — in her YouTube channel. She also copied the original video title and removed the logo and opening sequences identifying the original author.

🚨 Update as of 27/09: Reuters’ Epic Fail Deepens — Thai Broadcasters Identify Reuters as Source of Unlicensed Footage »

At One Man Wolf Pack, we dedicate our lives to capturing the beauty of our planet through cinematic, high-resolution drone footage—often filmed in countries we've come to love, respect, and feel deeply connected to. Our content is 100% original and carefully protected by copyright law, with several of our most important works registered with the U.S. Copyright Office.

It is therefore extremely troubling to discover that one of our most personal creations—“🇹🇼 4K Drone Footage TAIPEI 🔥 Capital of Taiwan 🔥🔥🔥 [DJI Phantom 4]”—was used without our knowledge or permission in a series of news reports with clear geopolitical messaging, including military-related broadcasts distributed globally. 🔶 Read the full article on this infringement of our copyright »

⚖️ Case Overview ⚖️

Plaintiff: Miroslaw Tadeusz Wawak (One Man Wolf Pack)
Defendant: Rafael Delgado Garcia (YouTube channel "The Finest")
Court: Juzgado de lo Mercantil Nº 12, Madrid, Spain | Date: May 13, 2025

Copyright Infringement: The court confirmed that Rafael Delgado García used 139 seconds of Wawak’s copyrighted drone footage — across six monetized YouTube videos — without any form of license, rights transfer, or authorization. The court explicitly rejected the defendant’s "Fair Use" defense.

Cease & Desist: The ruling includes a binding court order requiring the removal of the infringing videos, establishing a firm legal precedent for further enforcement under EU and international IP law.

🚨 Update: CCTV’s copyright scandal is escalating. On ↗️ CopyCatTV.com, we are now publishing detailed evidence showing how China’s state broadcaster not only stole U.S.-registered footage but also lied under oath in the DMCA system.

Instead of negotiating in good faith, CCTV filed fraudulent counter-notifications on YouTube — swearing they used “2–3 seconds” when in fact they copied 14 sequences totaling nearly a full minute. Their lies were submitted under penalty of perjury, locking them into U.S. jurisdiction and exposing them to statutory damages, fraud liability, and global accountability. On CopyCatTV.com, we will gradually expose the entire case:

• CCTV’s bad faith defenses and fraudulent filings
• Their ignored emails and attempts at confidential back-channeling
• The #GreatWallOfSilenceAndShame built around their propaganda operations

Picture: This is where it began — peaceful footage of Taiwan’s Capital Taipei, later hijacked for military propaganda. Today, justice was served. © One Man Wolf Pack

Over the past month, two European creators (Filip from “Amazing Planet” and myself, “One Man Wolf Pack”) have faced an unprecedented copyright war—one waged not by individuals or even ordinary companies, but by China’s state broadcaster CCTV. Instead of defending global creators, YouTube enabled the abuse, leaving us exposed to Beijing’s censorship and trampling on the rights of every independent creator in the world.

Twice in a single month, CCTV’s official YouTube channel triggered the “7-day grace period”—the infamous “404 Monkey Countdown”—by racking up at least three active copyright strikes. Under YouTube’s own rules, this triggers a channel lockdown: no new uploads, and seven days until permanent termination unless the matter is resolved.

Picture: While the world celebrates freedom and light, YouTube sides with darkness & censorship.
© One Man Wolf Pack

The Email Heard Around the Courtroom: In a thread dated May 5, 2025, a Reuters Account Manager for Latin America confirms that the footage in question — sourced from the Chinese Army, redistributed by Reuters, and then published by RECORD — was indeed withdrawn from Reuters Connect (Video Edit “3178-China-Taiwan-Military”). And even better: Reuters communicated on April 14, 2025, that all clients should cease using it immediately.

“...we have communicated to all Reuters customers that received the footage via us that they should make no further use of the video.”

You heard that right. RECORD had more than two weeks to remove the footage. They didn’t. Only after the YouTube strikes were issued did they panic. Now they’re pleading to have the strikes lifted, citing Reuters as the origin. But here's the truth...

Picture: When the Dragon fuels lies, the Tiger stays silent — but the Wolf brings justice.
© One Man Wolf Pack

⚖️ Case Overview ⚖️

Plaintiff: Miroslaw Tadeusz Wawak (One Man Wolf Pack)
Defendants: Rádio e Televisão Bandeirantes S.A. and related entities, including their YouTube and Facebook channels
Court: 22ª Vara Cível, São Paulo, Brazil | Date: Ruling published February 24, 2025

Copyright Infringement: The court recognized that BAND and its affiliates used Wawak’s original video works—including marked and watermarked footage—across multiple platforms without authorization or payment.

Material Damages: The court awarded damages at US$90 per second of unauthorized video use, meticulously calculated from provided evidence and confirmed by blockchain-preserved records (Verifact).

Picture: Two slots, two speeds — but for BAND, no delivery could outrun accountability. © OMWP

For the first time, China’s information warfare didn’t rely solely on social media or state-controlled platforms like CCTV. It was broadcast on Brazil’s second-largest television network — RECORD — lending the propaganda a veneer of legitimacy and authority that such a platform inherently carries. The content aired without scrutiny, without fact-checking, and without any apparent concern for its origin.

How Did It Happen? On April 1, 2025, RECORD News aired a segment that included my aerial drone footage of Taipei 101 — a globally recognized symbol of Taiwan’s democracy and resilience. This footage was never licensed, never authorized. Worse still, it was embedded in a Chinese military propaganda video, one that visually framed Taipei as a target of simulated People’s Liberation Army (PLA) strikes.

Picture: A City of Resilience: Taipei's Iconic Landscape Amidst the Battle for Truth and Copyright Protection © One Man Wolf Pack

In a world where headlines move faster than ethics, even the most respected names in journalism can find themselves compromising their integrity. This time, that name is Reuters.

Rather than simply reporting the news, Reuters played a far more dangerous role: they helped deliver it — straight from the media playbook of an authoritarian regime. The video in question wasn’t journalism. It was a slickly produced piece of narrative warfare, crafted by China’s military propaganda arm, pushed through global channels via Reuters' platforms, and picked up by broadcasters across multiple continents.

And what was inside this “newsworthy” package? A direct threat toward Taiwan — wrapped in war drums, drone views, and cinematic pacing. All dressed up and labeled: Breaking News.

Picture: Glass vs Glass. A poetic contrast of transparency vs. opacity © One Man Wolf Pack

In 2012, a string of grisly murders sent shock waves through the Berlin party scene. The killer remained at large — until one of his targets survived: Miroslaw Wawak - Survivor of the "Darkroom Killer".

In 2012, a mysterious series of murders terrorizes Berlin. The victims, seemingly chosen at random, are drugged with an unusual substance — a trace that baffles investigators. As news of the gruesome murders make headlines across Germany and more mysterious cases emerge, pressure on the investigators to solve the case intensifies.

The 3x40min docuseries Crime Scene Berlin: Nightlife Killer, developed by Beetz Brothers Film Production and Joe Berlinger, tells a true-crime case based on a shocking story that unfolds in the midst of Berlin's nightlife.

Sources: Photo © Netflix | Text © Netflix / Beetz Brothers Film Production